What Happens When My Child Gets Stuck With Their Instrument?

There comes a point in almost every young musician’s journey when something stops being easy. What Happens When My Child Gets Stuck With Their Instrument?

A piece they’ve been enjoying suddenly feels difficult. Their fingers won’t do what they’re supposed to. They keep making the same mistake. Perhaps they’ve been trying to learn something for a few weeks and feel like they’re getting nowhere.

And then comes the sentence many parents dread:

“I can’t do it.”

Sometimes that can quickly become:

“I’m no good at this.”

Or even:

“I don’t want to do music anymore.”

But getting stuck is not necessarily a sign that something has gone wrong.

In fact, getting stuck is a normal part of learning something properly.

The important question is what happens next.

Being stuck doesn’t mean they’re not musical

It’s very easy for a child to interpret difficulty as a lack of ability.

If another student seems to pick something up quickly, they might think:

“They’re better than me.”

If they can’t play a section after several attempts, they might think:

“I’m just not musical.”

But learning an instrument doesn’t work like that.

Different students find different things difficult. One might have a great ear but struggle to read music. Another might read confidently but find rhythm difficult. Someone else might understand exactly what they need to do but struggle with coordination.

Being good at one part of music doesn’t automatically mean being good at all of it.

And struggling with something today doesn’t tell us what a student will be capable of six months from now.

At Presto, our approach is based on the idea that students don’t all learn in exactly the same way. Teachers look at how an individual student understands information and adapt their teaching accordingly. 

Sometimes the problem isn’t the student

Imagine a student has been trying to play a particular passage and keeps making the same mistake.

The obvious response might be:

“You need to practise that more.”

But perhaps they don’t need more practice.

Perhaps they need to practise it differently.

Maybe the section is too difficult to play at full speed.

Maybe they haven’t broken it down into small enough pieces.

Maybe they don’t understand the rhythm.

Maybe they’re looking at the wrong part of the music.

Maybe the fingering isn’t working for them.

Maybe they simply haven’t understood what their teacher is asking them to do.

That’s where the teacher becomes really important.

A good lesson isn’t simply about showing a student what to play and expecting them to copy it.

It’s about working out why they are struggling and what will help them move forward.

What if they keep making the same mistake?

This is where effective practice makes a difference.

If a student plays the same mistake twenty times, they’ve technically practised twenty times.

But they haven’t necessarily improved.

Instead, the teacher might ask them to:

  • Slow the passage down.
  • Work on just two or three notes.
  • Clap the rhythm first.
  • Play hands separately.
  • Change the fingering.
  • Listen carefully to the section.
  • Repeat a smaller section until it feels comfortable.
  • Gradually increase the speed.

Suddenly, the problem becomes much more manageable.

The student isn’t being told simply to try harder.

They’re being shown what to try next.

That distinction matters.

Learning how to solve problems

One of the most valuable things a student can learn from music isn’t actually a particular piece of music.

It’s what to do when something doesn’t work.

Eventually, we’d like students to start asking themselves:

What exactly am I finding difficult?

Why am I making this mistake?

What could I change?

Can I break it down?

Would it help if I slowed it down?

Do I need to ask someone for help?

That’s the point where a student starts becoming an increasingly independent musician.

They’re no longer completely reliant on their teacher to tell them what to do.

They’re learning how to think like a musician.

Progress isn’t always obvious

Another important thing for parents to understand is that progress doesn’t always look like learning a new song every week.

Sometimes progress is much smaller.

A student finally plays a difficult bar correctly.

They manage to keep time without their teacher helping.

They read a piece they’ve never seen before.

They remember something they struggled with last month.

They perform in front of other people.

They realise they’ve made a mistake and correct it themselves.

Those moments might not look dramatic from the outside.

But they’re important.

Music is a long-term skill, and progress isn’t always a straight line.

Sometimes a change of approach is all that’s needed

Every student is different.

That’s one of the reasons we don’t believe music education should be about putting every student through exactly the same process at exactly the same pace.

Presto’s teaching system is designed around adapting lessons to the individual – looking at how students learn, what their strengths are and how they can best understand what they’re being taught. 

That might mean changing the way something is explained.

It might mean using a different example.

It might mean making something more visual.

It might mean playing it together.

It might mean taking a step backwards before moving forwards.

And sometimes, it simply means giving the student a bit more time.

So what should parents do when their child says, “I can’t do it”?

The first thing is probably not to panic.

And don’t immediately assume that they should quit.

Instead, ask what’s actually proving difficult.

“Which bit can’t you do?”

“What happens when you try it?”

“Have you shown your teacher?”

Then let the teacher know.

There may be a very simple solution that the student hasn’t discovered yet.

And if something genuinely isn’t working, that’s useful information too. Perhaps the piece is too difficult at the moment. Perhaps the student needs a different challenge. Perhaps their goals have changed.

The answer isn’t always simply to practise harder.

The real goal isn’t avoiding difficulty

We don’t want to create musicians who never struggle.

That’s impossible.

We want to create musicians who know what to do when they struggle.

Because that skill carries far beyond music.

Learning to break a problem down, try a different approach, make mistakes, keep going and eventually figure something out is useful in almost anything a child goes on to do.

So when your child says:

“I can’t do it.”

It might not be the end of the lesson.

It might actually be the beginning of one of the most important parts of their musical education.

Learning what to do next.

Find out more about learning at Presto

At Presto Music School in Warrington, our lessons are designed around the individual student – helping them develop musical skills while also building confidence, independence and the ability to learn. 

If you’d like to see how your child gets on, you can book a Free Trial Lesson in piano, keyboard, drums, guitar or vocals.